The Moroccan style is a unique blend of various cultural influences that formed due to the diverse interactions of the peoples inhabiting this North African country. Local traditions, elements of Islam and Christianity, as well as borrowings from the ancient Greeks and Romans, create a distinctive atmosphere where every item and decorative element is infused with history and art.

With the arrival of the French in Morocco in the 19th century and the development of colonial influence, Moroccan style began to spread in Europe. Paris, as the cultural capital of the time, was the first place where Moroccan aesthetic elements appeared in interiors. Elderly ladies and wealthy aristocrats became fond of exotic carpets, furniture with characteristic patterns, and rich colors.

The Moroccan style gained special significance in the 1960s, when hippies, enchanted by the atmosphere of freedom and exoticism, began to find inspiration in Moroccan interiors. This period coincided with the rise in popularity of Yves Saint Laurent, who was also captivated by Moroccan culture. He dedicated many of his collections and design decisions to this style, often drawing inspiration from the interiors of his villa in Marrakesh. Since then, the Moroccan style has become a symbol of sophistication, exoticism, and unique harmony.

If you love to travel, aren’t afraid of experiments and bold combinations, and want to blend multiple cultures in one interior, Moroccan style is just what you need. It’s also worth considering for those who are tired of boho chic and want to replace jute and faded textiles with something more conceptual.

The main task is not to turn your apartment into a junk shop full of gaudy items from an Eastern bazaar in the pursuit of an African fairy tale. It’s best to stick to two basic shades, such as azure and terracotta-orange, using no more than 6-7 shades in the decor, even if they are quite bright.

For minimalists who are not ready to give up the whiteness and strict lines but have fallen in love with the carved arches of the medinas of Marrakech and the Zellige mosaics, a compromise can be offered: incorporate the beloved shapes into their interior without transferring the colors.